Rescued, Retained, Revered

 

The way these tools were collected and categorised by Raphael Salaman intrigued Katy Gillam-Hull, as he seemed to be lovingly rescuing these beautiful objects, taking them from abandoned workshops and buying them from desperate tradesmen. By preserving these tools he also retained with them a history of their trades and skills, passing that knowledge on through his extensive dictionaries and writings.

It is Salaman’s caring and personal approach to the tools that has inspired Gillam-Hull to make work that reverently refers to them. Through simplifying the elegant curves of chisel handles and pliers in to delicate wire works, Gillam-Hull carefully teases out the beauty of the forms. As well as reflecting their appearance through her making, Gillam-Hull has also continued to discuss the tools uses and relevant trades through several object handling sessions in public spaces like Homebase, but also with relevant community groups and makers. Reflections from these conversations also impacted Gillam-Hull’s making, with quotes from the conversations etched in to the surface of copper. The copper left oxidised and worn down reflects the used and loved old tools, the form only revealing its meaning after a closer look.

“Gillam-Hull skilfully solders metal rods in the shape of the handles, framing the silhouettes, and creating useless objets d’art from the most useful of hand tools. This intervention like Salaman’s before her, uses aesthetics to bring to viewer’s attention these particular tools, implying the hands that held them and also the question of redundancy.”

— Dr Alana Jelinek

This residency culminated in 3 installations across St Albans, both in the clock tower and Veralanium museum in September of 2016. Also as part of ‘Abundance’ the opening exhibition of the new St Albans Museum in June 2018.

The project was part of an Arts Council England funded project to engage artists and new audiences in fresh aspects of St Albans Museums’ collections. And was specifically timed to follow the closure of the Museum of St Albans and prior to the opening of the New Museum and Art Gallery at the Town Hall. Katy Gillam-Hull’s contribution forms part of a series of three artists’ projects, co-commissioned by UHGalleries and St Albans Museums.